男人有泪不轻弹广场舞

篇一：宜章男人要情不自禁要加入这弥漫净化心灵的广场舞乐了

宜章男人要情不自禁要加入这弥漫净化心灵的广场舞乐了

宜章早上的歌舞，竟然也不逊色于晚上的广场舞！

清晨，我目睹着穿黑色上衣的老头，从歌舞的人群一边，或扭动着屁屁，或伸出双手摇摆着，其柔韧的身子绝不亚于女人哦，只是时而停下，似乎想融入却有些害羞，最终又退回一边，不舍地做了个旁观者………和广州一小区楼下教一群女人舞蹈的老头成鲜明对比。

也许，女人才是文明的宣导引领者，于家营造亲子家伦气息，

于公众场合弥漫净化心灵的舞乐。

篇二：男儿有泪不轻弹

男儿有泪不轻弹

什么叫做non-crying cry？这是男人们专有的一种哭泣方式。也许在婚礼上，女儿和妈妈可以互相抹去眼泪，但是爸爸只能一个人默默回到自己的房间，默默去想念，因为男人是不允许在大庭广众之下轻易掉眼泪的。这也是为什么一个父亲会教自己的儿子，如何学会non-crying cry。大家有没有觉得，父亲节或者老爸的生日那天，不管你花多少心思，都难得看到老爸像老妈那样大动感情呢？其实，他只是用另一种方式，流下了作为男人和父亲的眼泪。

Real men don't cry. We just get something in our eye

'Daddy, you're crying,' say my sons. 'No, boys, I'm man-crying. Very useful skill.'

A short walk from my house in Hampshire, on a hill overlooking the heathland, is a plaque marking the spot where Richard Pryce Jones deliberately crashed his Halifax bomber during the war. He could have parachuted to safety, but that would have meant crashing into the village. The epitaph reads: "He died that others might live."

It never fails to move me. Not to tears, you understand. That would be disrespectful. But I do usually manage a lump in the throat and that film of moisture over the eyes that men have in their emotional armoury. Gordon Brown demonstrated the non-crying cry beautifully when he made his farewell speech on the steps of Number 10. That catch in the throat. The determination not to weep in public. At that moment, if at no other, he had nobility.

Not everyone can carry it off. I don't think Paul Gascoigne ever quite got the hang of it, for example. But I like to think I have it down to an art, my technique honed from years of watching The Railway Children, Sleepless in Seattle and that scene in Dumbo when the mother elephant is locked away. "Daddy!" my sons will say, pointing the accusing finger. "You're crying!"

"Me? Over Dumbo? Ha ha ha. No, boys, what I am doing is man-crying, a sort of non-crying cry. I'll teach you it one day. Very useful."

They are too young to appreciate the nuance yet, but when they are older I will explain that open sobbing is associated with being female, and so inappropriate for men. The Charlie Chaplin analogy might be useful here. He once said that the way to act drunk is to imagine yourself a drunk man

trying to act sober. The same is true when a man learns the non-crying cry. To be convincing, you must look as if you are trying to avoid tears. In this respect, it is important for a young man to appreciate the difference between male tears and female. I remember once asking the actress Emilia Fox if she could cry at will, right there and then, over lunch. To my astonishment, she could – from a standing start. Fat tears rolling down her cheeks. When she had finished, she resumed her smiling countenance.

Those are female tears, and the reason you never hear anyone say: "It's enough to make a grown woman cry." That expression only works when it refers to "grown men" and though that may seem tautological, the "grown" is justified. Not all men are grown. The emotionally incontinent exhibitionists who cry when they are kicked off talent shows such as The X Factor are not grown men, for example. Men have to be careful what they cry at, because some subjects are more worthy of tears than others. Grief, obviously. But not self-pity. And rarely should a man cry in pain. And never at the death of a princess he didn't know. Those are the rules. I suspect my colleague Matt Pritchett might be with me on this. One of his cartoons this past week showed a father next to a television tuned to the World Cup, explaining to his children that "at some point in the next few weeks, you are going to see me cry". And the day after the last survivor of the Great Escape died, he did a cartoon showing a gravestone with a mound of tunnelled earth trailing away from it. I seemed to have something in my eye when I saw that, and I expect he had the same something in his eye when he drew it.

篇三：人的一生是哭出来的

人的一生是哭出来的

很少有人是笑着来到人世间的。平常人都是哭着来到人世，也伴随着哭离开人世。正所谓“哭来哭去”。替别人哭，但大部分是替自己哭。亲人离去会哭，亲人友人分别难免会哭，告别爱情一定会苦；感动时会哭，激动时会哭，开心时会哭；真是幸福会哭，不快时也会哭。人的一生真的可以说是乐此不疲呀！

哭是真情流露亦是情感的发泄。可以这么说，一个人假如丧失了哭的本能，他将形同骷髅，行尸走肉。丧失了哭，他的神经是不全的，是麻木的。有人认为真情流露有笑就够了，如果这样，我认为效果是黯淡无光的。例如，一个女生在接受男生表白时，可能会宛然一笑表示默许，这样就够了么？假如偶像剧中男女主角表白场景就此而止，那将会黯然失色。一般导演编剧都会安排哭戏。一方面，这符合人类心理生理的反应，另一方面，迎合观众的内心，这一哭立即拉住了观众的心。所以，很多爱情剧是哭出来的。相反的情况，在遇到不快的事情时，哭是常备的也是必需的。生理学上说，在遇到不开心的时候，人体内会分泌一种毒素，如果长期压抑这种情感常常会带来疾病，故哭在此时就显得特别迫切和重要了。就此而言，哭是一个排毒的过程，也是一个发泄情感的过程，哭是一种行为艺术和生理艺术的结晶。

林妹妹是水制成的，女人爱哭，所以就有了这种说法，哭是女人的附属和专利。哭好哇，哭多了，就如同武侠剧中以为身受重伤的高手，必会运功疗伤，每次疗伤必会将毒素排出体外，从而痊愈。一

个懂得会哭的女人一定长寿，这估计也是女人平均寿命比男性高很多的原因之一。这教会我们一个道理：人要学会哭。前面讲到，哭是一门艺术，不仅如此，我认为哭也是要“法律”来限制的。这里的法律，不是明文规定的国家行政法规，它是不成文的，就是说哭要有节制的，要避免两种极端的趋势：一种是滥哭，另一种是不哭。前者可以导致情绪低落，抑郁烦躁，不得好果，林黛玉就是典型。后者更严重，一般有两种情况，要么是心里阳光，心胸坦荡，遇事积极，凡是看得开，从而避免伤心，相反，过度自信，过度坦荡也会一事无成。第二种情况是，极力压制自己内心的不快，克制自己，让自己不哭出来，这也是避免的。那样体内的毒素就不会排出来，积少成多，终有一天形成祸害。从情绪上看来，哭是笑之母，哭过才会懂得笑的珍贵。哭过才会体会到发泄后的轻松解脱之感，那种感觉只有哭过的人才会感受得到，那也不失为一种笑的体验。从上所述，我们要学会哭。

对于男人一般都属于第二种情况，欲哭不能。俗话说的好：男儿有泪不轻弹。男人要的是面子，往往为了面子而丢失了做人的“本能”。男人比女人更需要哭，因为男人比女人更难，可能遇到的烦心事更多，然而这一群体很少哭出来，所以这个群体活的没有女人长。他们真的很伟大，把悲伤留给自己，他们是让自己的生命为面子埋单。

男人不易哭不是说不能哭，可以找个没人的地方偷偷解决，也可以在自己爱的人面前尽情发泄，所以有时候请丢下面子，学会哭，男儿哭吧哭吧不是罪，哭是一次珍爱自己的过程，男人请善待自己吧！

综上所述，哭是健康，是艺术，你说你的一生会选择抛弃它么？

篇四：男儿有泪不轻弹

男儿有泪不轻弹

什么叫做non-crying cry？这是男人们专有的一种哭泣方式。也许在婚礼上，女儿和妈妈可以互相抹去眼泪，但是爸爸只能一个人默默回到自己的房间，默默去想念，因为男人是不允许在大庭广众之下轻易掉眼泪的。这也是为什么一个父亲会教自己的儿子，如何学会non-crying cry。大家有没有觉得，父亲节或者老爸的生日那天，不管你花多少心思，都难得看到老爸像老妈那样大动感情呢？其实，他只是用另一种方式，流下了作为男人和父亲的眼泪。

Real men don't cry. We just get something in our eye

'Daddy, you're crying,' say my sons. 'No, boys, I'm man-crying. Very useful skill.'

A short walk from my house in Hampshire, on a hill overlooking the heathland, is a plaque marking the spot where Richard Pryce Jones deliberately crashed his Halifax bomber during the war. He could have parachuted to safety, but that would have meant crashing into the village. The epitaph reads: "He died that others might live."

It never fails to move me. Not to tears, you understand. That would be disrespectful. But I do usually manage a lump in the throat and that film of moisture over the eyes that men have in their emotional armoury. Gordon Brown demonstrated the non-crying cry beautifully when he made his farewell speech on the steps of Number 10. That catch in the throat. The determination not to weep in public. At that moment, if at no other, he had nobility.

Not everyone can carry it off. I don't think Paul Gascoigne ever quite got the hang of it, for example. But I like to think I have it down to an art, my technique honed from years of watching The Railway Children, Sleepless in Seattle and that scene in Dumbo when the mother elephant is locked away. "Daddy!" my sons will say, pointing the accusing finger. "You're crying!"

"Me? Over Dumbo? Ha ha ha. No, boys, what I am doing is man-crying, a sort of non-crying cry. I'll teach you it one day. Very useful."

They are too young to appreciate the nuance yet, but when they are older I will explain that open sobbing is associated with being female, and so inappropriate for men. The Charlie Chaplin analogy might be useful here. He once said that the way to act drunk is to imagine yourself a drunk man

trying to act sober. The same is true when a man learns the non-crying cry. To be convincing, you must look as if you are trying to avoid tears. In this respect, it is important for a young man to appreciate the difference between male tears and female. I remember once asking the actress Emilia Fox if she could cry at will, right there and then, over lunch. To my astonishment, she could – from a standing start. Fat tears rolling down her cheeks. When she had finished, she resumed her smiling countenance.

Those are female tears, and the reason you never hear anyone say: "It's enough to make a grown woman cry." That expression only works when it refers to "grown men" and though that may seem tautological, the "grown" is justified. Not all men are grown. The emotionally incontinent exhibitionists who cry when they are kicked off talent shows such as The X Factor are not grown men, for example. Men have to be careful what they cry at, because some subjects are more worthy of tears than others. Grief, obviously. But not self-pity. And rarely should a man cry in pain. And never at the death of a princess he didn't know. Those are the rules. I suspect my colleague Matt Pritchett might be with me on this. One of his cartoons this past week showed a father next to a television tuned to the World Cup, explaining to his children that "at some point in the next few weeks, you are going to see me cry". And the day after the last survivor of the Great Escape died, he did a cartoon showing a gravestone with a mound of tunnelled earth trailing away from it. I seemed to have something in my eye when I saw that, and I expect he had the same something in his eye when he drew it.

篇五：广场舞歌曲名

舞曲

山丹丹花开红艳艳 花蝴蝶

梦中蝴蝶飞呀飞 嘀嗒、

哑吧新娘 深深爱

蛤蟆爱天鹅 爱的漩涡 I MISS YOU

我爱的姑娘叫卓玛 映山红

落花

大长今

为你等待 红雨伞

爱到花开 桃花运

快乐阿拉蕾 花样的地方 卓玛

月光落地的声音 月亮升起来 水仙花开 爱不在就放手 冬天里的白玫瑰 我被青春撞了一下腰 恰恰

遇(来自:WwW.smhaida.Com 海达 范文 网:男人有泪不轻弹广场舞)上你是我的缘 苗寨情歌 泼水节

看透爱情看透你 等爱的玫瑰 逛香港

姑娘我爱你 高高的步达拉 阳光女孩 豆芽菜的爱 唐古拉

天竺少女 我要去西藏 神奇的九寨沟 最漩民族风 逛新城

欢乐的玩吧 坐上火车去拉萨 小心眼男人 泉水叮咚 绿旋风

请到草原来 一起走

月亮女儿

山高举着月亮走 烟花三月下扬州 干杯朋友 下辈子记得我 溜溜的姑娘 梦高原

啊萨

远方的爱人 最动听多情歌 姑娘我爱你 荷塘月色 天天想见到你 骑车到拉萨 伤不起

女附马

相亲相爱一辈子 GO GO GO 冬天的白玫瑰 在心里从此有个你快乐老家恰恰 爱情海

爱不在就放手 为你等待 伤不起

深深爱

心中的花园 姑娘我爱你 月光落地的声音 花样的地方 爱的漩涡 欢乐的玩吧 走过路过别错过 遇上你是我的缘 I MISS YOU 歌曲

荷东恰恰 嘀嗒

落花

爱到花开 我要去西藏 等爱的玫瑰

下辈子你还记得我 你可知道男人的心 心相印手牵手 套马杆

爱情买卖 自由飞翔 快乐阿拉蕾 拉拉爱

摇啊摇

摇啊摇DJ 幸福快车 日不落

恋爱百分百 最浪漫的事

我是否也在你心中 你是我内心的一首歌 你的承诺 爱情海

千千阙歌 风中的承诺 伤不起

看透爱情看透你 莲的心事 五月花开DJ 高高的步达拉 受了伤自己扛 天天见到你笑脸 爱情海

缘分惹的祸 黄玫瑰

姑娘我爱你 溜溜地她 华夏儿女 啊萨

远方的爱人

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