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女儿有泪该不该轻弹

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女儿有泪该不该轻弹体裁作文

篇一:“女儿”有泪不轻弹

“女儿”有泪不轻弹

“女儿”有泪不轻弹

坐在床上,已经亲吻着西山的夕阳静静地唤起了记忆??

昨日,下午放学了我便匆匆的赶到一楼来,今日我才学会了怎么“冲跳”,学会了怎么避免突来的“恶作剧”,学会了怎么适应他们的“快﹑慢”节奏;可是一个人太无聊、郁闷了,我又在和佳艳闹脾气,现在又和她一起玩岂不是太没面子了吗?所以我从茫茫人群找到了紫欣和文玲、佳宣等人。 我们慢悠悠的来到操场,文玲和紫欣摇着绳子,我和佳宣兴高采烈的跳着;不过一会儿,梅英、嘉敏和张婧也加入了我们的这个队伍;“叮铃铃”一阵阵的响亮的清校的铃声渐渐的响起来。我们渐渐地解散了,唯独我和紫欣依然手挽着手,商量着一起走回家,因为妈妈今天没来接我。

我们走到等校车的地方的时候,紫欣说:“那个佳艳,说好了一起走回家的,只是一个走回家了,没良心的家伙。”“啊,佳艳不是在篮球场打球吗?她还没走呀!”我惊讶的说。“是吗?哦,那好,你在这等我,我去去就来。”紫欣说完便又跑进学校了。

我等了许久,也不见紫欣的人影,便跑进学校里去找他们去了;我赶紧跑进篮球场,去找他们,可不见他们的身影。我又跑到厕所去找他们,可依然不见他们的身影。我只好垂头丧气的走出校门,一直在我与紫欣相约的地点,一直徘徊着??

直到管校的林老伯将楼道的大门紧紧地锁住了、全校的人都走光了,依然不见他们的人影,我的眼眶顿时湿润了,脑海中渐渐地想起了爸爸妈妈常教我的那句话:别人都说“男儿有泪不轻弹”,我们呀就来个“女儿有泪不轻弹” ??

我急忙擦干眼泪,坚强起来!心想:平时,我们是十分要好的朋友,就算有时耍耍嘴皮子,但是在半天到一天就和好如初了。可今日,他们这般待我既不是辜负了我们素日那般的姐妹之情了吗?想到这了眼泪又来到了眼眶的边缘!我连忙擦干眼泪,边走嘴边唠叨着:“女儿有泪不轻弹!女儿有泪不轻弹!女??” 我晃悠悠的走在回家的路上??

坐在床上的我,也慢悠悠的躺了下去??

篇二:职场有泪不轻弹的调查

职场有泪不轻弹调查

在2013年7月5日,对态度8调查网377位一线城市受访者进行了问卷调查,其中男性受访者占42.3%,女性受访者占57.7%,42%的受访者年龄在25-35岁之间,41.2%的受访者年龄在36-45岁之间,15.5%的受访者年龄

四成受访者表示自己没有在开放的办公室里泪奔过,35岁以下的受访者比例较高,三成受访者表示自己含泪过,

成八的受方者表示接下来不知道该怎么和其他人相处,还有一成七的受方者表示有损个有形象,男性受方者的比

25岁以下的受访者比例较高,25岁以下的受访者比例较高,一成五的受访者表示有过“泪奔”,还有8%的受访

篇三:男儿有泪要多弹

男儿有泪要多弹

作者:郭凯燕

来源:《视野》2006年第18期

一个小孩子摔倒了,磕破膝盖,放声大哭。如果这是个小男孩,那么他的父母(特别是爸爸)通常会安慰他说:“别哭了,宝贝,你可是个男子汉。男儿有泪不轻弹啊。”多数情况下,这样的话对孩子毫无作用,他会接着大哭特哭。这样做就对了。原来,眼泪不仅仅能缓解疼痛,还能治愈伤口。

研究人员做了一组实验,把受伤的老鼠分成两组:一组流泪,一组不流泪。

实验显示,老鼠泪流得越多,它们的伤口就好得越快,痊愈的时间平均都缩短了12天。而在那些泪腺被摘除的小老鼠身上则是另一番景象:伤口开始扩散,愈合非常缓慢,一周之内,老鼠的皮肤就失去弹性,变得枯萎、松弛,好像苍老了许多……

由此可以推测,我们的皮肤变得越来越没有弹性,越来越没有光泽,原因之一有可能是因为我们哭得越来越少。我们是不是在用“哭泣不是件好事”的陈规老套来损害自己的身体健康? 美国著名医生威廉姆·弗雷认为,较少哭泣的人容易生病,而且寿命较短。他指出,在错误的教育过程中,男人们学会了没有眼泪去承受生理上的和心理上的痛苦,而这样做的后果则是患上一些典型的抑郁性疾病,如胃溃疡和结肠炎。

科学家进行的研究表明,人体内时常会郁积一些因生理压力和心理压力而产生的大量毒素,而在人哭泣的时候,这些毒素会随着泪液排出体外。更有意思的是,在人哭泣的时候,随着泪液排出体外的不仅有有害的化学物质,更重要的还有引起紧张反应的刺激素。这种刺激素对幼小的、尚未发育完全的机体更为危险。所以,孩子们要比成年人更爱哭。他们是在用哭泣的方法培养一套躲避危害的自然的身体机制。

心理学家指出,一个人如果长年累月不哭,会引起严重的神经紊乱和心理扭曲。应该说明的是,专家们并不赞成嚎啕大哭,这样的大哭经常会加剧人的紧张状态,使血压升高,自控力下降,从而引起歇斯底里发作,对人有害无益。专家们认为,在家里,在一个小角落里静静地哭一场,对一个人来讲是必要的,有益的,也不必为此感到羞愧,否则,人就会对自己不满,其结果便会降低哭泣的功效,主要是对于梗死、中风、溃疡、胃炎、痉挛和气喘发作的预防作用。

古希腊有一句俗语:“奴隶才不流泪。”哭泣是一个人自由和精神富有的象征,古希腊的英雄们从不因眼泪而羞愧。

(韦志彪荐)

篇四:男儿有泪不轻弹

男儿有泪不轻弹

什么叫做non-crying cry?这是男人们专有的一种哭泣方式。也许在婚礼上,女儿和妈妈可以互相抹去眼泪,但是爸爸只能一个人默默回到自己的房间,默默去想念,因为男人是不允许在大庭广众之下轻易掉眼泪的。这也是为什么一个父亲会教自己的儿子,如何学会non-crying cry。大家有没有觉得,父亲节或者老爸的生日那天,不管你花多少心思,都难得看到老爸像老妈那样大动感情呢?其实,他只是用另一种方式,流下了作为男人和父亲的眼泪。

Real men don't cry. We just get something in our eye

'Daddy, you're crying,' say my sons. 'No, boys, I'm man-crying. Very useful skill.'

A short walk from my house in Hampshire, on a hill overlooking the heathland, is a plaque marking the spot where Richard Pryce Jones deliberately crashed his Halifax bomber during the war. He could have parachuted to safety, but that would have meant crashing into the village. The epitaph reads: "He died that others might live."

It never fails to move me. Not to tears, you understand. That would be disrespectful. But I do usually manage a lump in the throat and that film of moisture over the eyes that men have in their emotional armoury. Gordon Brown demonstrated the non-crying cry beautifully when he made his farewell speech on the steps of Number 10. That catch in the throat. The determination not to weep in public. At that moment, if at no other, he had nobility.

Not everyone can carry it off. I don't think Paul Gascoigne ever quite got the hang of it, for example. But I like to think I have it down to an a

女儿有泪该不该轻弹

rt, my technique honed from years of watching The Railway Children, Sleepless in Seattle and that scene in Dumbo when the mother elephant is locked away. "Daddy!" my sons will say, pointing the accusing finger. "You're crying!"

"Me? Over Dumbo? Ha ha ha. No, boys, what I am doing is man-crying, a sort of non-crying cry. I'll teach you it one day. Very useful."

They are too young to appreciate the nuance yet, but when they are older I will explain that open sobbing is associated with being female, and so inappropriate for men. The Charlie Chaplin analogy might be useful here. He once said that the way to act drunk is to imagine yourself a drunk man

trying to act sober. The same is true when a man learns the non-crying cry. To be convincing, you must look as if you are trying to avoid tears. In this respect, it is important for a young man to appreciate the difference between male tears and female. I remember once asking the actress Emilia Fox if she could cry at will, right there and then, over lunch. To my astonishment, she could – from a standing start. Fat tears rolling down her cheeks. When she had finished, she resumed her smiling countenance.

Those are female tears, and the reason you never hear anyone say: "It's enough to make a grown woman cry." That expression only works when it refers to "grown men" and though that may seem tautological, the "grown" is justified. Not all men are grown. The emotionally incontinent exhibitionists who cry when they are kicked off talent shows such as The X Factor are not grown men, for example. Men have to be careful what they cry at, because some subjects are more worthy of tears than others. Grief, obviously. But not self-pity. And rarely should a man cry in pain. And never at the death of a princess he didn't know. Those are the rules. I suspect my colleague Matt Pritchett might be with me on this. One of his cartoons this past week showed a father next to a television tuned to the World Cup, explaining to his children that "at some point in the next few weeks, you are going to see me cry". And the day after the last survivor of the Great Escape died, he did a cartoon showing a gravestone with a mound of tunnelled earth trailing away from it. I seemed to have something in my eye when I saw that, and I expect he had the same something in his eye when he drew it.

篇五:男儿有泪不轻弹

男儿有泪不轻弹

什么叫做non-crying cry?这是男人们专有的一种哭泣方式。也许在婚礼上,女儿和妈妈可以互相抹去眼泪,但是爸爸只能一个人默默回到自己的房间,默默去想念,因为男人是不允许在大庭广众之下轻易掉眼泪的。这也是为什么一个父亲会教自己的儿子,如何学会non-crying cry。大家有没有觉得,父亲节或者老爸的生日那天,不管你花多少心思,都难得看到老爸像老妈那样大动感情呢?其实,他只是用另一种方式,流下了作为男人和父亲的眼泪。

Real men don't cry. We just get something in our eye

'Daddy, you're crying,' say my sons. 'No, boys, I'm man-crying. Very useful skill.'

A short walk from my house in Hampshire, on a hill overlooking the heathland, is a plaque marking the spot where Richard Pryce Jones deliberately crashed his Halifax bomber during the war. He could have parachuted to safety, but that would have meant crashing into the village. The epitaph reads: "He died that others might live."

It never fails to move me. Not to tears, you understand. That would be disrespectful. But I do usually manage a lump in the throat and that film of moisture over the eyes that men have in their emotional armoury. Gordon Brown demonstrated the non-crying cry beautifully when he made his farewell speech on the steps of Number 10. That catch in the throat. The determination not to weep in public. At that moment, if at no other, he had nobility.

Not everyone can carry it off. I don't think Paul Gascoigne ever quite got the hang of it, for example. But I like to think I have it down to an art, my technique honed from years of watching The Railway Children, Sleepless in Seattle and that scene in Dumbo when the mother elephant is locked away. "Daddy!" my sons will say, pointing the accusing finger. "You're crying!"

"Me? Over Dumbo? Ha ha ha. No, boys, what I am doing is man-crying, a sort of non-crying cry. I'll teach you it one day. Very useful."

They are too young to appreciate the nuance yet, but when they are older I will explain that open sobbing is associated with being female, and so inappropriate for men. The Charlie Chaplin analogy might be useful here. He once said that the way to act drunk is to imagine yourself a drunk man

trying to act sober. The same is true when a man learns the non-crying cry. To be convincing, you must look as if you are trying to avoid tears. In this respect, it is important for a young man to appreciate the difference between male tears and female. I remember once asking the actress Emilia Fox if she could cry at will, right there and then, over lunch. To my astonishment, she could – from a standing start. Fat tears rolling down her cheeks. When she had finished, she resumed her smiling countenance.

Those are female tears, and the reason you never hear anyone say: "It's enough to make a grown woman cry." That expression only works when it refers to "grown men" and though that may seem tautological, the "grown" is justified. Not all men are grown. The emotionally incontinent exhibitionists who cry when they are kicked off talent shows such as The X Factor are not grown men, for example. Men have to be careful what they cry at, because some subjects are more worthy of tears than others. Grief, obviously. But not self-pity. And rarely should a man cry in pain. And never at the death of a princess he didn't know. Those are the rules. I suspect my colleague Matt Pritchett might be with me on this. One of his cartoons this past week showed a father next to a television tuned to the World Cup, explaining to his children that "at some point in the next few weeks, you are going to see me cry". And the day after the last survivor of the Great Escape died, he did a cartoon showing a gravestone with a mound of tunnelled earth trailing away from it. I seemed to have something in my eye when I saw that, and I expect he had the same something in his eye when he drew it.

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