谁有外国诗人介绍英文版 任意一个外国诗人都可以生平 国籍 代表作……

谁有外国诗人介绍英文版 任意一个外国诗人都可以生平 国籍 代表作……
谁有外国诗人介绍
英文版 任意一个外国诗人都可以
生平 国籍 代表作……

谁有外国诗人介绍英文版 任意一个外国诗人都可以生平 国籍 代表作……
William Blake
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William Blake in an 1807 portrait by Thomas PhillipsWilliam Blake (November 28,1757–August 12,1827) was an English poet,painter,and printmaker.Largely unrecognised during his lifetime,his work is today considered seminal and significant in the history of both poetry and the visual arts.
According to Northrop Frye,who undertook a study of Blake's entire poetic opus,his prophetic poems form "what is in proportion to its merits the least read body of poetry in the English language." Others have praised Blake's visual artistry,at least one modern critic proclaiming Blake "far and away the greatest artist Britain has ever produced."[1]
While his visual art and written poetry are usually considered separately,Blake often employed them in concert to create a product that at once defied and superseded convention.Though he believed himself able to converse aloud with Old Testament prophets,and despite his work in illustrating the Book of Job,Blake's Christian beliefs were modified by a fascination with Mysticism and what is often considered to be his anticipation of the Romanticism unfolding around him.[2] Nonetheless,the difficulty of placing William Blake in any one chronological stage of art history is perhaps the distinction that best defines him.
Once considered mad for his single-mindedness,Blake is highly regarded today for his expressiveness and creativity,and the philosophical vision that underlies his work.As he himself once indicated,"The imagination is not a State:it is the Human existence itself."

威廉·莎士比亚（1564—1616）是文艺复兴时期英国以及欧洲最重要的作家。他出生于英格兰中部斯特拉福镇的一个商人家庭。少年时代曾在当地文法学校接受基础教育，学习拉丁文、哲学和历史等，接触过古罗马剧作家的作品。后因家道中落，辍学谋生。莎士比亚幼年时，常有著名剧团来乡间巡回演出，培养了他对戏剧的爱好。1585年前后，他离开家乡去伦敦，先在剧院打杂，后来当上一名演员，进而改编和编写剧本。莎士比亚除了参...

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威廉·莎士比亚（1564—1616）是文艺复兴时期英国以及欧洲最重要的作家。他出生于英格兰中部斯特拉福镇的一个商人家庭。少年时代曾在当地文法学校接受基础教育，学习拉丁文、哲学和历史等，接触过古罗马剧作家的作品。后因家道中落，辍学谋生。莎士比亚幼年时，常有著名剧团来乡间巡回演出，培养了他对戏剧的爱好。1585年前后，他离开家乡去伦敦，先在剧院打杂，后来当上一名演员，进而改编和编写剧本。莎士比亚除了参加演出和编剧，还广泛接触社会，常常随剧团出入宫廷或来到乡间。这些经历扩大了他的视野，为他的创作打下了基础。

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John Keats lived only twenty-five years and four months (1795-1821), yet his poetic achievement is extraordinary. His writing career lasted a little more than five years (1814-1820), and three of his ...

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John Keats lived only twenty-five years and four months (1795-1821), yet his poetic achievement is extraordinary. His writing career lasted a little more than five years (1814-1820), and three of his great odes--"Ode to a Nightingale," "Ode on a Grecian Urn," and "Ode on Melancholy"--were written in one month. Most of his major poems were written between his twenty-third and twenty-fourth years, and all his poems were written by his twenty-fifth year. In this brief period, he produced poems that rank him as one of the great English poets. He also wrote letters which T.S. Eliot calls "the most notable and the most important ever written by any English poet."
His genius was not generally perceived during his lifetime or immediately after his death. Keats, dying, expected his poetry to be forgotten, as the epitaph he wrote for his tombstone indicates: "Here lies one whose name was writ in water." But nineteenth century critics and readers did come to appreciate him, though, for the most part, they had only a partial understanding of his work. They saw Keats as a sensual poet; they focused on his vivid, concrete imagery; on his portrayal of the physical and the passionate; and on his immersion in the here and now. One nineteenth century critic went so far as to assert not merely that Keats had "a mind constitutionally inapt for abstract thinking," but that he "had no mind." Keats's much-quoted outcry, "O for a life of Sensation rather than of Thoughts!" (letter, November 22, 1817) has been cited to support this view.
With the twentieth century, the perception of Keats's poetry expanded; he was and is praised for his seriousness and thoughfulness, for his dealing with difficult human conflicts and artistic issues, and for his impassioned mental pursuit of truth. Keats advocated living "the ripest, fullest experience that one is capable of"; he believed that what determines truth is experience ("axioms are not axioms until they are proved upon our pulses"). The publication of Keats's letters, with their keen intellectional questioning and concern with moral and artistic problems, contributed to this re-assessment. His letters throw light on his own poetic practices and provide insight into writing in general.

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