我要浪漫主义音乐英文版介绍只要英文!好吧没人鸟我.古典主义音乐、浪漫主义音乐、巴洛克音乐、乡村音乐、爵士音乐、摇滚音乐、重金属音乐的介绍都可以,但要只英文版的这条要求不变.

我要浪漫主义音乐英文版介绍只要英文!好吧没人鸟我.古典主义音乐、浪漫主义音乐、巴洛克音乐、乡村音乐、爵士音乐、摇滚音乐、重金属音乐的介绍都可以,但要只英文版的这条要求不变.
我要浪漫主义音乐英文版介绍只要英文!
好吧没人鸟我.古典主义音乐、浪漫主义音乐、巴洛克音乐、乡村音乐、爵士音乐、摇滚音乐、重金属音乐的介绍都可以,但要只英文版的这条要求不变.

我要浪漫主义音乐英文版介绍只要英文!好吧没人鸟我.古典主义音乐、浪漫主义音乐、巴洛克音乐、乡村音乐、爵士音乐、摇滚音乐、重金属音乐的介绍都可以,但要只英文版的这条要求不变.
好吧,在这里我只能给你古典音乐,摇滚音乐的还有爵士的介绍了,希望你采纳啊!很辛苦得我~~~
1.摇滚乐
Rock music began in the United States in 1950’s, but it has influenced and in turn been shaped by a broad field of cultures and musical traditions, including gospel music, the blues, country-and-western music, classical music, folk music, electronic music, and the popular music of Asia, Africa, and Latin America. In addition to its use as a broad designation, the term rock music commonly refers to music styles after 1959 predominantly influenced by white musicians.
There is basic agreement that rock is a form of music with a strong beat, but it is difficult to be much more explicit. The Collins Cobuild English Dictionary, based on a vast database of British usage, suggests that rock is a kind of music with simple tunes and a very strong beat that is played and sung, usually loudly, by a small group of people with electric guitars and drums, but there are so many exceptions to this description that it is practically useless.
Other major rock-music styles include rock and roll, the first genre of the music; and rhythm-and-blues music (R&B), influenced mainly by black American musicians. Each of these major genres encompasses a variety of substyles, such as heavy metal, punk, alternative, and grunge. While innovations in rock music have often occurred in regional centers such as New York City; Kingston, Jamaica; and Liverpool, England, the influence of rock music is now felt worldwide.
2.古典乐
Classical music is probably more familiar than we might at first imagine. Indeed, nowadays it is all around us, whether it be in restaurants, supermarkets, lifts, for advertising or as theme and incidental music on television. A great deal of film music either directly uses or draws from the 'classical' tradition; a good example of the former might be '2001: Space Odyssey', and of the latter, the many scores John Williams has composed in recent years for such blockbusters as the Star Wars and Indiana Jones trilogies.
In the vast and wide-ranging world of 'classical' music there is truly something there for everyone - pieces which once discovered represent the start of an exciting and irresistible journey which will provide a lifetime's listening pleasure. For example, those who are particularly excited by hearing instrumentalists working at full stretch will thrill to the likes of Liszt and Paganini, or if something a little more reserved and self-contained is required, the chamber music of Haydn or Mozart would be a good starting point. If a full symphony orchestra in overdrive is more to your taste then Tchaikovsky or Richard Strauss could well fit the bill, whereas those who have already warmed to Vivaldi's 'Four Seasons' might well try the music of some of the great Italian's contemporaries such as Handel, Johann Sebastian Bach or Domenico Scarlatti. Whatever your tastes may be, there has never been a better time to start building a 'classical' music collection on CD.
Any attempt to define what is meant literally by the term 'classical' music is fraught with difficulty. How does one encapsulate in just a few words a musical tradition which encompasses such infinite varieties of style and expression, from the monastic intonings of Gregorian chant to the laid-back jazz inflections of Gershwin's Rhapsody in Blue, from the elegant poise of Mozart's Eine kleine Nachtmusik to the despairing, heightened emotionalism of Tchaikovsky's "Pathetique" Symphony? One is treading on very dangerous ground indeed if one pre-supposes that it is simply 'superior' to other musical types such as popular, jazz, rock and the like, let alone the music of other cultures.
In general 'popular' music may be as clear in expression as the longer examples of 'classical' music. One important difference, however, lies in the logical connection that exists in 'classical ' music between the beginning and end, with the latter a logical extension and development of the former. 'Popular' music, on the other hand, tends to present its material without development, the music ending when interest is exhausted.
Sadly, whilst 'classical' music is socially undivisive in itself, it has unfortunately become associated in most people's minds with the intellectual elite. Even now, and with certain honourable exceptions, the attending of a 'live' concert can be an intimidating (not to say costly) experience for the uninitiated, especially in that most jealously guarded of establishments, the opera house. The wonderful thing about the technological age in which we live, and particularly the advent of the compact disc, is that we can bypass all irrelevant social and intellectual pretence, and enjoy in the comfort of our own home (often at far less cost) some of the finest music ever composed.
With such a breathtaking variety of material available, it is an awesome task to know just where to begin your disc collection, and as a result expensive mistakes are often made as tempting looking purchases turn out to be something of a disappointment. This is where the Naxos catalogue really comes into its own, and where it is hoped this guide will help prospective purchasers to make an informed choice about the kind of music they are likely to enjoy.
The Naxos label provides a library of high quality performances of music by the great masters in modern digital sound; accompanied by authoritative and user-friendly booklet notes and at the lowest possible price. There are already nearly 600 titles from which to choose, and with new releases emerging at the rate of about eight every month, even the enthusiastic collector is well and truly catered for. With every historical period and genre covered, there is something in the Naxos catalogue for everyone, especially those who wish to build a truly representative collection of the central masterworks in the 'classical' tradition.
3.爵士
Born in America, jazz can be seen as a reflection of the cultural diversity and individualism of this country. At its core are openness to all influences, and personal expression through improvisation. Throughout its history, jazz has straddled the worlds of popular music and art music, and it has expanded to a point where its styles are so varied that one may sound completely unrelated to another. First performed in bars, jazz can now be heard in clubs, concert halls, universities, and large festivals all over the world.
The Birth of Jazz:
New Orleans, Louisiana around the turn of the 20th century was a melting pot of cultures. A major port city, people from all over the world came together there, and as a result, musicians were exposed to a variety of music. European classical music, American blues, and South American songs and rhythms came together to form what became known as jazz. The origin of the word jazz is widely disputed, although it is thought to have originally been a sexual term.
Louis Armstrong:
One thing that makes jazz music so unique is that it’s focus on improvisation. Louis Armstrong, a trumpet player from New Orleans, is considered the father of modern jazz improvisation. His trumpet solos were melodic and playful, and filled with energy that could only result from being composed on the spot. A leader of several groups in the 1920s and 30s, Armstrong inspired countless others to make the music their own by developing a personal style of improvisation.
Expansion:
Thanks to early records, the music of Armstrong and others in New Orleans could reach a broad radio audience. The music’s popularity began to increase as did its sophistication, and major cultural centers around the country began to feature jazz bands. Chicago, Kansas City, and New York had the most thriving music scenes in the 1940s, where dance halls were filled with fans that came to see large jazz ensembles. This period is known as the Swing Era, referring to the lilting “swing” rhythms employed by the Big Bands.
Bebop:
Big Bands gave musicians the opportunity to experiment with different approaches to improvisation. While members of a Big Band, saxophonist Charlie Parker and trumpeter Dizzy Gillespie began to develop a highly virtuosic and harmonically advanced style known as "Bebop," an onomatopoeic reference to the rhythmic punches heard in the music. Parker and Gillespie performed their music in small ensembles all over the country, and musicians flocked to hear the new direction jazz was taking. The intellectual approach and technical facility of these pioneers of Bebop has set the standard for today’s jazz musicians.
Jazz Today:
Jazz is a highly developed art form that continues to evolve and expand in numerous directions. The music of each decade sounds fresh and distinct from the music that preceded it. Since the days of bebop, the jazz scene has included avant-garde music, Latin jazz, jazz/rock fusion, and countless other styles. Jazz today is so diverse and broad that there is something unique and interesting about every artist’s style.