SOS,麻烦翻成英语,戏剧的本质是冲突,而冲突需要典型（极端）事件.如前所述,内战后的英国没有太多的冲突,而且英国是一个孤立的岛国,人民保守.内战之后国内的长久和平使得英国人民平和

SOS,麻烦翻成英语,戏剧的本质是冲突,而冲突需要典型（极端）事件.如前所述,内战后的英国没有太多的冲突,而且英国是一个孤立的岛国,人民保守.内战之后国内的长久和平使得英国人民平和
SOS,麻烦翻成英语,
戏剧的本质是冲突,而冲突需要典型（极端）事件.如前所述,内战后的英国没有太多的冲突,而且英国是一个孤立的岛国,人民保守.内战之后国内的长久和平使得英国人民平和严肃.在这种和平环境下,剧作家很难创造出冲突性极强的作品；即便如此,观众也不再会喜欢.在肖伯纳和贝克特的时代,冲突虽然很猛烈,却主要是人和世界（超越民族国家）、人和自身的（世界折射出个人的微不足道,摧毁了人的自信和尊严）,而不是人和人的.还有另外的原因：两人都“生不逢时”,既有其它的休闲娱乐形式“抢去”了戏剧的观众,同时也有美的流失后造成“审美的疲劳”,还有后现代社会人们普遍存在的焦虑和浮躁,缺乏欣赏戏剧的心境等等.

SOS,麻烦翻成英语,戏剧的本质是冲突,而冲突需要典型（极端）事件.如前所述,内战后的英国没有太多的冲突,而且英国是一个孤立的岛国,人民保守.内战之后国内的长久和平使得英国人民平和
The essence of play is conflict,andconflict need typical (extreme) events.As mentioned earlier,Britain after thecivil war does not have too much conflict,and Britain is an isolated island,the peoples are conservative.After the civil war,the domestic peace makes theBritish people peaceful and serious for a long time.In this peacefulenvironment,playwright hard to create an extremely strong conflict work; Evenso,the audience is no longer like it.In the times of Bernard Shaw and Beckett,although conflict is very fierce,but mainly people and the world (beyond nationaland country),people and their own (world reflects the individuals is small,destroyed people’s confidence and dignity),other than people and people.Thereis another reason:two people are “born at the wrong time”,existent forms ofentertainment “bear away” the audience from drama,but there also left“aesthetic fatigue” caused by loss of beauty,and anxiety and fickleness widelyexist in the postmodern society,lack of the mind to appreciate drama and soon.

戏剧的本质是冲突，而冲突需要典型（极端）事件。如前所述，内战后的英国没有太多的冲突，而且英国是一个孤立的岛国，人民保守。内战之后国内的长久和平使得英国人民平和严肃。在这种和平环境下，剧作家很难创造出冲突性极强的作品；即便如此，观众也不再会喜欢。在肖伯纳和贝克特的时代，冲突虽然很猛烈，却主要是人和世界（超越民族国家）、人和自身的（世界折射出个人的微不足道，摧毁了人的自信和尊严），而不是人和人的。还有...

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戏剧的本质是冲突，而冲突需要典型（极端）事件。如前所述，内战后的英国没有太多的冲突，而且英国是一个孤立的岛国，人民保守。内战之后国内的长久和平使得英国人民平和严肃。在这种和平环境下，剧作家很难创造出冲突性极强的作品；即便如此，观众也不再会喜欢。在肖伯纳和贝克特的时代，冲突虽然很猛烈，却主要是人和世界（超越民族国家）、人和自身的（世界折射出个人的微不足道，摧毁了人的自信和尊严），而不是人和人的。还有另外的原因：两人都“生不逢时”，既有其它的休闲娱乐形式“抢去”了戏剧的观众，同时也有美的流失后造成“审美的疲劳”，还有后现代社会人们普遍存在的焦虑和浮躁，缺乏欣赏戏剧的心境等等。
The essence of dramma is the conflict ,which needs the typical and extreme incidents. as what was said in the preceding contents /as what was mentioned previously , There was not too much conflict in England after civil war ,besides, England is an isolated island with its people being so conservative ,Domestic Permanent peace after civil war has enable Englishmen to be moderate and solemn

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The essence of drama is conflict, and conflict requires typical (extreme) events. As mentioned earlier, the English Civil War without much conflict, but the United Kingdom is an isolated island, conse...

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The essence of drama is conflict, and conflict requires typical (extreme) events. As mentioned earlier, the English Civil War without much conflict, but the United Kingdom is an isolated island, conservative people. Lasting peace in the country after the civil war makes British people calm solemnity. In this peaceful environment, the playwright is difficult to create a highly conflictual works; Even so, the audience is no longer like it. In the era of George Bernard Shaw and Samuel Beckett, although very violent conflict, and the world, but mainly (beyond the nation-state), and itself (the world reflects the individual's trivial, destroying people's self-confidence and dignity), rather than man and man. There is another reason: both "untimely", both other forms of entertainment, "snatched" the theater audience, but also the United States resulting from the loss of the "aesthetic fatigue", as well as post-modern society, people prevalence of anxiety and impetuous, the lack of appreciation of theatrical mood and so on.

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